In Lynne Ramsay's postpartum fever dream of a movie, Jennifer Lawrence gives the most complex and bleakly funny performance of her career.

Meanwhile, Focus’ The Phoenecian Scheme, the latest work of whimsy from Wes Anderson, is dryly amusing and features his usual mindblowing production design. But it doesn’t possess the broad appeal of 2014’s The Grand Budapest Hotel, which was his only narrative feature that ever registered Oscar nominations beyond the writing and crafts categories.

The moment it crystalizes that Jennifer Lawrence is giving the most surprising, uninhibited performance of her career — the likes of which even her diehards may not have guessed she could deliver — comes quite early in Lynne Ramsay’s absolutely punk-rock trip through one woman’s psyche,