News

To more accurately reflect its evolution, scale, and importance, the Knoxville performance entity previously known as the Amadeus Chamber Ensemble has undergone a name change to become the Amadeus ...
It goes without saying that Tim Burton’s cleverly stylized 1988 film, Beetlejuice, has legions of fans. Based on the crowd in the Tennessee Theatre lobby Tuesday evening, the Broadway musical stage ...
The Knoxville Symphony Orchestra and Music Director Aram Demirjian have announced the programs for the orchestra’s 2025 -26 season. With the announcement, 2025-26 series subscriptions are on sale now.
Eric Dawson is Manager of the Knox County Public Library’s Calvin M. McClung Historical Collection at the East Tennessee History Center. Previously he was Arts & Entertainment Editor of the Knoxville ...
Symphony orchestra rosters are generally very stable, but it is inevitable that both professional ambitions and personal needs produce some turnover of player personnel. Amazingly, the Knoxville ...
BY ALAN SHERROD Imagine being a young singer with operatic ambitions, ready to make the most of an undergraduate or graduate opera program to provide a springboard into the professional world, when ...
The latest adaptation of Agee's 'A Death in the Family' is the musical 'Knoxville' written by the late Frank Galati with music by Stephen Flaherty and lyrics by Lynn Ahrens. 'Knoxville' opened this ...
I don’t know about you and yours, but a big part of my cohort went into Big Ears 2025 with a lackadaisical attitude and a largely ill-formed schedule, happy to embrace the weekend and enjoy what came, ...
T here was a lot to grab one’s attention last Friday evening at Knoxville Opera’s production of the Franz Lehar operetta, The Merry Widow. History buffs got a peek at the influence operetta has had on ...
Every three years, participating Tennessee museums, arts venues, and arts organizations curate and present exhibitions under a common theme designed to connect the exhibitions and promote the state’s ...
This weekend’s current production of Giacomo Puccini’s Tosca by Marble City Opera represents a quantum leap in artistry, complexity, and sophistication from where the company began eight years ago.