Meanwhile, Focus’ The Phoenecian Scheme, the latest work of whimsy from Wes Anderson, is dryly amusing and features his usual mindblowing production design. But it doesn’t possess the broad appeal of 2014’s The Grand Budapest Hotel, which was his only narrative feature that ever registered Oscar nominations beyond the writing and crafts categories.

Jennifer Lawrence’s wildly uninhibited portrayal of postpartum depression has rocketed Lynne Ramsay’s film “Die, My Love” into the awards conversation.

Jennifer Lawrence's role in an upcoming psychological thriller movie could earn the actress her first Academy Award nomination in nine years.